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A fast-cut advertisement: most cuts are under 3 seconds. Fast cutting is a film editing technique which refers to several consecutive shots of a brief duration (e.g. 3 seconds or less). [1] It can be used to quickly convey much information, or to imply either energy or chaos.
In editing, the master can be used to a greater or lesser extent as the 'skeleton' of the edit, which is fleshed out by replacing parts of the master with tighter coverage such as closeups and cutaways. Match cut One of various editorial devices used to preserve a sense of spatio-temporal integrity or continuity between cuts. Medium close-up
This post-classical style of editing, sometimes referred to as the "MTV Style" of video editing, which has become the visual language of American culture, is a way to edit using fast paced, very quick cuts between shots. [3] Since the 1930s, the average shot length in feature films has decreased from 8–11 seconds to 4.3-4.9 seconds.
Editors use coverage to overcome problems with visualization and storytelling. A good editor has a strong aesthetic sense, a complete understanding of the technical aspects of filmmaking, and a solid ability to tell a story. An editor uses these skills to diagnose problems with a scene, and correct them using coverage. [13]
A montage (/ m ɒ n ˈ t ɑː ʒ / mon-TAHZH) is a film editing technique in which a series of short shots are sequenced to condense space, time, and information. Montages enable filmmakers to communicate a large amount of information to an audience over a shorter span of time by juxtaposing different shots, compressing time through editing, or intertwining multiple storylines of a narrative.
A fixation point indicates the highest resolution region of the image and corresponds to the center of the eye's retina, the fovea. The location of a fixation point may be specified in many ways. For example, when viewing an image on a computer monitor, one may specify a fixation using a pointing device, like a computer mouse.
Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence to direct the viewer's attention to a pre-existing consistency of story across both time and physical location. [1]
Fixation is commonly achieved by treating the film or paper with a solution of thiosulfate salt. Popular salts are sodium thiosulfate—commonly called hypo—and ammonium thiosulfate—commonly used in modern rapid fixer formulae. [1] Fixation by thiosulfate involves these chemical reactions (X = halide, typically Br −): [2]