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To define their music, Pere Ubu coined the term avant-garage to reflect interest in both experimental avant-garde music, especially musique concrète, and raw, direct blues-influenced garage rock. Thomas has stated the term is "a joke invented to have something to give journalists when they yelp for a neat sound bite or pigeonhole". [31]
Pere Ubu chronology; 390° of Simulated Stereo (1981) ... All lyrics by David Thomas; all music by Pere Ubu "The Long Walk Home" – 2:34 "Use of a Dog" – 3:17
The Modern Dance is the debut album by the American rock band Pere Ubu. It was released in February 1978 through the label Blank Records. [1] A 5.1 surround sound version was released as the DVD-Audio side of a DualDisc in 2005.
"30 Seconds Over Tokyo" is the debut single by American post-punk band Pere Ubu. Written by band members David Thomas, Peter Laughner, and Gene O'Connor during their stint with Pere Ubu's predecessor Rocket from the Tombs, it was released on Thomas' independent Hearthan Records in 1975. The song received very little airplay at the time but has ...
The album contains live renditions of one non-album track; one from the first Pere Ubu album, The Modern Dance (incidentally a version of this track, ‘Street Waves’, also appears on 390° of Simulated Stereo); six songs from Dub Housing; one from New Picnic Time and four from The Art of Walking.
Cloudland is the seventh studio album by American rock band Pere Ubu.Released in May 1989, the album was produced by Stephen Hague.The single "Waiting for Mary", the video for which achieved some MTV exposure, netted Pere Ubu their only Billboard chart success to date, reaching number 6 on the Modern Rock Tracks chart.
Why I Hate Women is the 13th studio album by Pere Ubu, released in 2006. [6] Keith Moliné stepped in for departed longtime guitarist Tom Herman, making this the first Pere Ubu studio album not to feature any of the group's founders (except for David Thomas) either as members or as guests.
New Picnic Time is the third album by American rock band Pere Ubu. [1] [2] It was released in September 1979 by Chrysalis Records. Reportedly the album sessions were stressful and contentious, and after touring, the group disbanded. They would reform a matter of months later, with Mayo Thompson replacing founding guitarist Tom Herman.