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The Dionysus Cup is the modern name for one of the best known works of ancient Greek vase painting, a kylix (drinking cup) dating to 540–530 BC. It is one of the masterpieces of the Attic black-figure potter Exekias and one of the most significant works in the Staatliche Antikensammlungen in Munich .
Reverse: Youthful Dionysus with two dancing maenads and three satyrs watching from a higher level. Its catalogue listing reads, Bell crater, British Museum B.M. number 1890,0210.1, from St. Agata dei Goti. RVP no 2/239 plate 88. A neck amphora decorated with the birth of Helen from Leda's egg that bears Python's signature in the altar base.
The Diosphos Painter was an Athenian Attic black-figure vase painter thought to have been active from 500–475 BCE, many of whose surviving works are on lekythoi. The Diosphos Painter was a pupil of the Edinburgh Painter, who also trained the Sappho Painter. He was first identified by C.H.E. Haspels in her Attic Black-figure Lekythoi (Paris ...
Kleophrades did use it often and when the painter did it was a sub technique of his black-figure works. As he progresses, one side of the vase will have patterns in black figure, and the other in red, until finally, in his later work, all of the borders and patterns are done in red figure.
Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), [1] it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded ...
The vase is symmetric all the way around the neck and top of the shoulder. The only discrepancy is that the handle is located right between side A and B. The vase changes from a symmetrical vase with nothing but patterns to a scene of Eos and Kephalos underneath the shoulder. On side A, Eos can be seen reaching out toward Kephalos.
Exekias (Ancient Greek: Ἐξηκίας, Exēkías) was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. [1] Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision.
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