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Kikukawa Eizan (菊川 英山, 1787 – July 17, 1867) was a designer of ukiyo-e style Japanese woodblock prints. He first studied with his father, Eiji, a minor painter of the Kanō school, and subsequently with Suzuki Nanrei (1775–1844), of the Shijō school. He is believed to have also studied with ukiyo-e artist Totoya Hokkei (1790
Alongside paintings, mass-produced woodblock prints were a major form of the genre. [1] In the mid-18th century full-colour nishiki-e prints became common, printed using a large number of woodblocks, one for each colour. [2] Towards the close of the 18th century there was a peak in both the quality and quantity of work. [3]
This tradition was born in Edo-era Tokyo (1603–1867), where pictures of actors and courtesans of the entertainment district were mass-printed for the public. [9] Karhu was knowledgeable about the ukiyo-e style, and possessed a private collection of high ukiyo-e art, including prints by Utamaro , Hokusai , and Sharaku , from which he drew ...
The artist is trained in the traditional artistry of Japanese Ukiyo-e. This style was produced in the mid-1700s and was often produced as woodblock prints and paintings and in literal terms means 'pictures of the floating world'. Artists often depict Kabuki actors, geishas, flora and fauna, landscapes, etc.
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Geisha (芸者) (/ ˈ ɡ eɪ ʃ ə /; Japanese:), [1] [2] also known as geiko (芸子) (in Kyoto and Kanazawa) or geigi (芸妓), are female Japanese performing artists and entertainers trained in traditional Japanese performing arts styles, such as dance, music and singing, as well as being proficient conversationalists and hosts.