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Some, including Sony's founder Akio Morita, say that it was due to Sony's licensing strategy with other manufacturers, which consistently kept the overall cost for a unit higher than a VHS unit, and that JVC allowed other manufacturers to produce VHS units license-free, thereby keeping costs lower. [75]
"VCR"-format cassettes in case (left) and on own (right). A full-size CD is shown for scale. Size comparison between a Betamax cassette (top) and a VHS cassette (bottom) The videotape format war was a period of competition or "format war" of incompatible models of consumer-level analog video videocassette and video cassette recorders (VCR) in the late 1970s and the 1980s, mainly involving the ...
The result — by design — is a recording that is in standard Betamax format, and which appears normal when played back at normal speed on a standard Betamax VCR. [3] However, due to the non-standard timing and head design, Betamovie camcorders themselves are record-only, and in-camcorder playback (including preview and dubbing) is not possible.
To counter the Super-VHS format, Sony introduced Video Hi8 (short for high-band Video8). First demonstrated in February 1989, it was initially endorsed by ten other manufacturers — Aiwa, Canon, Fuji, Hitachi, Konica, Matsushita, Maxell, Ricoh, Sanyo and TDK, [12] which were joined later by Nikon, Samsung, Sharp and TEAC.
In one of the greatest rivalries in the history of technology, VHS would eventually spell the death knell for Sony's rival Betamax. Although the VCR and VHS tape were largely rendered obsolete by ...
Sony believed that the M-Load transports used by VHS machines made copying these trick modes impossible. BetaSkipScan (Peep Search) is now available on miniature M-load formats, but even Sony was unable to fully replicate this on VHS. BetaScan was originally called "Videola" until the company that made the Moviola threatened legal action.