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Fable is a literary genre defined as a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrates or leads to a particular moral lesson (a "moral"), which may at the end be added explicitly as a concise maxim or saying.
The broad outlines remain the same in the story that appears in the Gesta Romanorum a century later. A knight in debt makes a bargain with a serpent and is similarly enriched. When he is persuaded to treachery by his wife, the serpent kills his child and he is reduced to poverty. It is interpreted there as an allegory of sin and false ...
A fable, as a literary genre, is a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphised, and that illustrates a moral lesson (a "moral"), which may at the end be expressed explicitly in a pithy maxim.
Sometimes the meaning of an allegory can be lost, even if art historians suspect that the artwork is an allegory of some kind. [21] Allegory has an ability to freeze the temporality of a story, while infusing it with a spiritual context. Medieval thinking accepted allegory as having a reality underlying any rhetorical or fictional uses. The ...
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
An apologue or apolog (from the Greek ἀπόλογος, a "statement" or "account") is a brief fable or allegorical story with pointed or exaggerated details, meant to serve as a pleasant vehicle for a moral doctrine or to convey a useful lesson without stating it explicitly. Unlike a fable, the moral is more important than the narrative ...
Personifications are very common elements in allegory, and historians and theorists of personification complain that the two have been too often confused, or discussion of them dominated by allegory. Single images of personifications tend to be titled as an "allegory", arguably incorrectly. [11]
In the extended Greek telling of Babrius it is a lion and a wild donkey who go hunting together, the first outstanding for strength, the second for speed. The lion divides their take into three, awarding himself the first because he is king of the beasts, the second because they are 'equal' partners, and suggesting that the ass runs away quickly rather than dare to touch the third.