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The changes gave Marshall amplifiers a more aggressive voice, which quickly found favour with players such as Eric Clapton, who would sit in Jim's shop practising. Clapton asked Jim Marshall to produce a combo amplifier with tremolo, which would fit in the boot of his car, and one of the most famous Marshall amps was born, the "Bluesbreaker ...
James Charles Marshall OBE (29 July 1923 – 5 April 2012) known as The Father of Loud [3] or The Lord of Loud, [4] was an English businessman and pioneer of guitar amplification. His company, Marshall Amplification, founded in 1962, has created equipment that is used by some of the biggest names in rock music, producing amplifiers with an ...
The JCM800 series (Models 2203, 2204, 2205, and 2210) is a line of guitar amplifiers made by Marshall Amplification.The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981.
The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
Marshall JTM45 MK II Reissue. The Marshall JTM45 amplifier is the first guitar amplifier produced by the British company Marshall.It was initially produced in 1963, and has been ranked among the most desirable of the company's amplifiers.
But Marshall wasn’t the only one making a splash with their “new old” amps at NAMM. In a private room off of the show floor, Mesa/Boogie was showing off their own revamped flagship, with the ...
The Marshall Bluesbreaker is the popular name given to the Models 1961 and 1962 guitar amplifiers made by Marshall from 1964/65 to 1972.. The Bluesbreaker, which derives its nickname from being used by Eric Clapton with John Mayall & The Bluesbreakers, is credited with delivering "the sound that launched British blues-rock in the mid-1960s."
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