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Meister Francke: Man of sorrows, with angels, c. 1430 German woodcut with hand-colouring, 1465–70. Man of Sorrows, a biblical term, is paramount among the prefigurations of the Messiah identified by the Bible in the passages of Isaiah 53 (Servant songs) in the Hebrew Bible.
Isaiah 61 is the sixty-first chapter of the Book of Isaiah in the Hebrew Bible or the Old Testament of the Christian Bible. This book contains the prophecies attributed to the prophet Isaiah, and is one of the Books of the Prophets. Chapters 56-66 are often referred to as Trito-Isaiah. [1]
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
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Isaiah 63:9 In all their affliction he was afflicted, and the angel of his presence (מַלְאַךְ פָּנָיו) saved them: Some theologians believe that the Septuagint translation (ἄγγελος ἀλλ᾽ αὐτὸς κύριος) demonstrates that "angel of his presence" is simply a way of referring to God, not a regular or created ...
The books of the New Testament frequently cite Jewish scripture to support the claim of the Early Christians that Jesus was the promised Jewish Messiah.Scholars have observed that few of these citations are actual predictions in context; the majority of these quotations and references are taken from the prophetic Book of Isaiah, but they range over the entire corpus of Jewish writings.
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
This face is often associated with Jesus’ role as the Son of God, who came to reveal the Father’s love and glory. The eagle is also a symbol of freedom, strength, and vision. These four faces of Jesus are not mutually exclusive, but rather complementary, reflecting the multifaceted nature of Jesus’ character and ministry.