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In page layout, illustration and sculpture, white space is often referred to as negative space.It is the portion of a page left unmarked: margins, gutters, and space between columns, lines of type, graphics, figures, or objects drawn or depicted, and is not necessarily actually white if the background is of a different colour.
The use of negative space is a key element of artistic composition. The Japanese word "ma" is sometimes used for this concept, for example in garden design. [2] [3] [4] In a composition, the positive space has the more visual weight while the surrounding space - that is less visually important is seen as the negative space.
A figure-ground diagram is a two-dimensional map of an urban space that shows the relationship between built and unbuilt space. It is used in analysis of urban design and planning . It is akin to but not the same as a Nolli map which denotes public space both within and outside buildings and also akin to a block pattern diagram that records ...
Born on March 22, 1948, metropolitan New York, April Greiman grew up in Wantagh, Long Island and later Woodcliff Lake, NJ.Her father was an early computer programmer, systems analyst at Lightolier where he introduced the first main-frame computer into Lightolier's business, and later, founder and president of The Ventura Institute of Technology. [6]
Swiss style (also Swiss school or Swiss design) is a trend in graphic design, formed in the 1950s–1960s under the influence of such phenomena as the International Typographic Style, Russian Constructivism, the tradition of the Bauhaus school, the International Style, and classical modernism.
Visual design elements and principles may refer to: Design elements; Design principles This page was last edited on 28 ...
Since there is no added white space built into a typical full stop (period), other than that above the full stop itself, full stops contribute to the river effect in a limited way. At one time, common word-processing software adjusted only the spacing between words, which was a source of the river problem.
Italian art critic and scholar Mario Praz used this term to describe the excessive use of ornament in design during the Victorian age. [4] Other examples of horror vacui can be seen in the densely decorated carpet pages of Insular illuminated manuscripts, where intricate patterns and interwoven symbols may have served "apotropaic as well as decorative functions."