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Perhaps no poem of this class has been more universally admired than the pastoral Epithalamion of Edmund Spenser (1595), though he also has important rivals—Ben Jonson, Donne and Francis Quarles. [2] Ben Jonson's friend, Sir John Suckling, is known for his epithalamium "A Ballad Upon a Wedding." In his ballad, Suckling playfully demystifies ...
List of Brontë poems; List of poems by Ivan Bunin; List of poems by Catullus; List of Emily Dickinson poems; List of poems by Robert Frost; List of poems by John Keats; List of poems by Philip Larkin; List of poems by Samuel Taylor Coleridge; List of poems by Walt Whitman; List of poems by William Wordsworth; List of works by Andrew Marvell
Poems of the Imagination (1815–1843); Miscellaneous Poems (1845–) 1798 Her eyes are Wild 1798 Former title: Bore the title of "The Mad Mother" from 1798–1805 "Her eyes are wild, her head is bare," Poems founded on the Affections (1815–20); Poems of the Imagination (1827–32); Poems founded on the Affections (1836–) 1798 Simon Lee 1798
The following is the list of 244 poems attributed to Philip Larkin. Untitled poems are identified by their first lines and marked with an ellipsis.Completion dates are in the YYYY-MM-DD format, and are tagged "(best known date)" if the date is not definitive.
The poem received mixed reviews from critics, and Coleridge was once told by the publisher that most of the book's sales were to sailors who thought it was a naval songbook. Coleridge made several modifications to the poem over the years. In the second edition of Lyrical Ballads, published in 1800, he replaced many of the archaic words.
Cryptic crossword clues consist typically of a definition and some type of word play. Cryptic crossword clues need to be viewed two ways. One is a surface reading and one a hidden meaning. [28] The surface reading is the basic reading of the clue to look for key words and how those words are constructed in the clue. The second way is the hidden ...
The Whitsun Weddings is a collection of 32 poems by Philip Larkin. It was first published by Faber in the United Kingdom on 28 February 1964. It was a commercial success, by the standards of poetry publication, with the first 4,000 copies being sold within two months. A United States edition appeared some seven months later.
Written about the same time as the others, this poem was held over until it was incorporated in Last Poems (1922). [8] In the letter to Pollet already mentioned, Housman pointed out that there was a discontinuity between the Classical scholar who wrote the poems and the "imaginary" Shropshire Lad they portrayed.