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Before British colonisation of New Zealand, the Indigenous architecture of Māori was an 'elaborate tradition of timber architecture'. [1] Māori constructed rectangular buildings (whare) with a 'small door, an extension of the roof and walls to form a porch, and an interior with hearths along the centre and sleeping places along the walls' for protection against the cold.
Europeans began producing art in New Zealand as soon as they arrived, with many exploration ships including an artist to record newly discovered places, people, flora and fauna. The first European work of art made in New Zealand was a drawing by Isaac Gilsemans, the artist on Abel Tasman's expedition of 1642. [16] [17]
Carving schools balanced producing art for their own people with commercial works, with many of the most successful being Te Arawa (Ngāti Whakaue, Ngāti Pikiao and Ngāti Tarāwhai), located near Rotorua, during the tourism boom to the area in the 1870s, with an increased need for carved works such as the model village at Whakarewarewa, and ...
Tāne-nui-ā-rangi, the wharenui at Waipapa Marae, University of Auckland Inside Tāne-nui-ā-rangi A modern wharenui at Te Papa Tongarewa, Wellington. A wharenui ([ˈɸaɾɛnʉ.i]; literally "large house") is a communal house of the Māori people of New Zealand, generally situated as the focal point of a marae.
Waharoa, also known as Te Waharoa o Aotea, [1] is a public sculpture located in Aotea Square, the city centre of Auckland, New Zealand.The expressionist piece was designed by Selwyn Muru and depicts a waharoa, a traditional Māori gateway in front of a marae ātea; the open meeting courtyard at a marae.
The Hundertwasser Art Centre with Wairau Māori Art Gallery is an art and cultural centre in Whangārei, New Zealand. It is the conception of artist and architect Friedensreich Hundertwasser, who lived near Kawakawa for 30 years, and was first designed in 1993. The project proved controversial and was considered and rejected a number of times ...
The Maori Battalion Memorial Centre in Palmerston North (1954–64) used carved panels and tukutuku for decoration. The Urewera National Park Headquarters building (1974–76) was designed as a pavilion to suit the neighbouring bush, and shows that sense of place and landscape were critical to his architectural thinking.
In 2005 Maori Art Meets America was a collaborative effort with Air New Zealand and Tourism New Zealand. From that very successful promotion, the idea of a New Zealand-based showcase was conceived resulting in the Toi Māori Art Market. These have been held in 2007, 2009, 2011, 2014, 2016/17.