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Once Upon a Time in Euskadi (Spanish: Érase una vez en Euskadi) [1] is a 2021 Spanish coming-of-age drama film written and directed by Manu Gómez. It stars Asier Flores, Aitor Calderón, Miguel Rivera, and Hugo García alongside Luis Callejo , Marian Álvarez , Vicente Vergara, Pilar Gómez , and Vicente Romero .
Once Upon a Time in the Andes (Spanish: Érase una vez en los Andes) is a 2023 Peruvian war romantic drama film directed, written and co-produced by Rómulo Sulca. [1] [2] It stars Maribel Baldeón and Juan Cano. [3] It is a love story between a peasant woman from the central Andes of Peru with a Chilean soldier during the War of the Pacific. [4]
Killing Jesus (Spanish: Matar a Jesús) is a 2017 Colombian-Argentine crime thriller drama film written and directed by Laura Mora. [1] Plot
You Only Live Once (Spanish: Sólo se vive una vez) is a 2017 Argentine-Spanish action comedy satire film directed by Federico Cueva and starring Juan Pedro Lanzani, Gérard Depardieu, Santiago Segura and Hugo Silva. [2]
The Death of Jesus is the third in Coetzee's "Jesus" trilogy, following The Childhood of Jesus (2013) and The Schooldays of Jesus (2016). It was first published in Spanish under the title La muerte de Jesús [4] in Argentina [5] and distributed throughout Latin America.
When first released in the United States, the film's English-language title was "The Age of Infidelity." The New York Times film critic Bosley Crowther panned the movie and its style, writing "Aside from the fact that Señor Bardem has not chosen an especially novel theme or given his treatment of it any new or surprising twist, he has actually confused it with weird plotting and a wild ...
La muerte de un burócrata (Death of a Bureaucrat) is a 1966 comedy film by Cuban director Tomás Gutiérrez Alea which pokes fun at the Communist bureaucracy and red tape and how it affects the lives of the common people who have to waste time and overcome hurdles just to get on with their ordinary lives.
The Spanish Episcopal Conference did not like the film: [2] the Spanish bishops criticised the film for its erotic representation of the saint's visions, exemplified by the poster's depiction of the hand of Christ touching the arm of the naked Teresa.