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For instance, all included appendices showing Japanese color names and corresponding colors. First, the Nihongo Daijiten (1989) appendix printed 350 colors and names (色名辞典 "Dictionary of color names", with notes and page cross-references). Second, the Daijisen (1995) appendix had 358 (カラーチャート色名 "Color chart of color ...
The traditional colors of Japan trace their historical origins to the Twelve Level Cap and Rank System which was established in 603 by Prince Shōtoku and based on the five Chinese elements. In this system, rank and social hierarchy were displayed and determined by certain colors.
DIC in Japan has 10 plants in Japan, located in Tokyo, Chiba, Hokuriku, Sakai, Kashima, Yokkaichi, Shiga, Komaki, Saitama, and Tatebayashi. The main research laboratory in Japan is located in Sakura, Chiba cooperating with DIC development centers in China (Qingdao DIC Finechemicals Co., Ltd., Qingdao, China) and the Sun Chemical Group's ...
Hoshin Kanri (Japanese: 方針管理, "policy management") [1] is a 7-step process used in strategic planning in which strategic goals are communicated throughout the company and then put into action. [2] [3] The Hoshin Kanri strategic planning system originated from post-war Japan, but has since spread to the U.S. and around the world.
The color Japanese violet or Sumire is shown at right. This is the color called "violet" in the traditional Japanese colors group, a group of colors in use since beginning in 660 CE in the form of various dyes that are used in designing kimono. [26] [27] The name of this color in Japanese is sumire-iro, meaning "violet color".
When a second color is used, it is usually red. Even if only a single type of blue ink was used, variations in lightness and darkness ( value ) could be achieved by superimposing multiple printings of parts of the design or by the application of a gradation of ink to the wooden printing block ( bokashi ).
Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
In James A. Michener's book Iberia the adjective shibui is referenced as follows: "The Japanese have a word which summarizes all the best in Japanese life, yet it has no explanation and cannot be translated. It is the word shibui, and the best approximation to its meaning is 'acerbic