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Beautiful Sunday (song) Beer, Beer, Beer; A Beuk o' Newcassell Sangs; Bingo (folk song) The Birthday Party (song) The Bishoprick Garland; The Bitter Withy; Blackbird (Beatles song) Blackleg Miner; Blacksmith (song) Blaydon Races; Blow the Man Down; Blow the Wind Southerly; Blyth and Tyneside Poems & Songs; Boar's Head Carol; Bob Cranky's Adieu ...
Six Songs from A Shropshire Lad; The Song and The Slogan; Song cycles (Waterhouse) A Song for the Lord Mayor's Table; Songfest: A Cycle of American Poems for Six Singers and Orchestra; Songs and Proverbs of William Blake; Songs from the Chinese; Songs of a Wayfarer; Songs of the Fleet; Songs of the Sea (Stanford) Songs of Travel; Songs Sacred ...
English Miniature from a manuscript of the Roman de la Rose. Music in the British Isles, from the earliest recorded times until the Baroque and the rise of recognisably modern classical music, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite. [11]
In the strictest sense, English folk music has existed since the arrival of the Anglo-Saxon people in Britain after 400 AD. The Venerable Bede's story of the cattleman and later ecclesiastical musician Cædmon indicates that in the early medieval period it was normal at feasts to pass around the harp and sing 'vain and idle songs'. [1]
Interior of the Canterbury Hall, an early example of a music hall, opened 1852 in Lambeth.. Early British popular music, in the sense of commercial music enjoyed by the people, can be seen to originate in the 16th and 17th centuries with the arrival of the broadside ballad as a result of the print revolution, which were sold cheaply and in great numbers until the 19th century.
Ralph Vaughan Williams (1872–1958), English composer and song collector; Sam Larner (1878–1965), English folk singer; Percy Grainger (1882–1961), Australian composer who collected and recorded English folk songs; Harry Cox (1885–1971), English folk singer; Lewis 'Scan' Tester (1886–1972), English folk musician
Surviving sources indicate that there was a rich and varied musical soundscape in medieval Britain. [1] Historians usually distinguish between ecclesiastical music, designed for use in church, or in religious ceremonies, and secular music for use from royal and baronial courts, celebrations of some religious events, to public and private entertainments of the people. [1]
Music hall songs were sung in the music halls by a variety of artistes. Most of them were comic in nature. There are a very large number of music hall songs, and most of them have been forgotten. In London, between 1900 and 1910, a single publishing company, Francis, Day and Hunter, published between forty and fifty songs a month.