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A Japanese spider demon. Kunado-no-Kami Local kami connected chiefly with protection against disaster and malicious spirits. They protect the boundaries of villages. Kunekune A long, slender strip of paper that wiggles on rice or barley fields during hot summers, this yōkai is actually a recent invention. Kuni-no-Tokotachi
Varieties of kasa were used throughout most all levels of Japanese society. Some types of kasa include: Ajirogasa (網代笠): a wickerwork kasa made of shaven bamboo or wood. Amigasa (編み笠): a wickerwork kasa. An amigasa is a straw hat of the type traditionally worn in some Japanese folk dances. Fukaamigasa (深編み笠): a deep ...
The komusō (虚無僧/こむそう) were characterized by a straw basket (a sedge or reed hood known as a tengai) worn on the head, manifesting the absence of specific ego but also useful for traveling incognito. [40] Komusō wore a tengai (天蓋), a type of woven straw hat or kasa, which completely covered their head like an overturned ...
Konjaku Gazu Zoku Hyakki (今昔画図続百鬼, "The Illustrated One Hundred Demons from the Present and the Past") is the second book of Japanese artist Toriyama Sekien's famous Gazu Hyakki Yagyō tetralogy, published c. 1779. A version of the tetralogy translated and annotated in English was published in 2016. [1]
A dancing drummer wearing a Namahage costume, performed Namahage-Daiko in Akita Station.. The Namahage (生剥げ, なまはげ) [1] are demonlike beings portrayed by men wearing hefty oni (ogre) masks and traditional straw capes during a New Year's ritual, in local northern Japanese folklore of the Oga Peninsula area of Akita Prefecture.
A Amenonuhoko Azusa Yumi G Gohei (Japanese: 御幣) Goshintai (Japanese: 御神体) H Hama Yumi (Japanese: 破魔弓) Heisoku (Japanese: 幣束) I Imperial Regalia of Japan (Japanese: 三種の神器) K Kagura suzu (Japanese: 神楽鈴) Kusanagi (Japanese: 草薙の剣) Koma-inu (Japanese: 狛犬) M Mitamashiro (Japanese: 御霊代) N Nihongo or Nippongo (Japanese: 日本号) O O-fuda ...
The paintings depict five benevolent deities in combat against evil, as represented by demons; the deities come from several cultures, including contemporary Japanese, Chinese, and Indian. They are thought to be associated with the hell transformation screens then used in Nara for repentance ceremonies at the end of each year, where the devout ...
They are popular characters in Japanese art, literature, and theater [13] and appear as stock villains in the well-known fairytales of Momotarō (Peach Boy), Issun-bōshi, and Kobutori Jīsan. Although oni have been described as frightening creatures, they have become tamer in modern culture as people tell less frightening stories about them ...