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The antonym of hero is villain. [3] Other terms associated with the concept of hero may include good guy or white hat. In classical literature, the hero is the main or revered character in heroic epic poetry celebrated through ancient legends of a people, often striving for military conquest and living by a continually flawed personal honor ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Vir Heroicus Sublimis is a 1951 painting by Barnett Newman, [1] an American painter who was a key part of the abstract expressionist movement. Vir Heroicus Sublimis—"Man, Heroic and Sublime" in Latin—attempts to evoke a reaction from its viewers through its overwhelming scale (his largest canvas yet at the time he released it) and saturated color.
The hero is often righteous or moralistically good, especially in the ancient epic, or else above all others in some field such as combat or leadership. The hero is the vehicle by which the epic's long, difficult narrative must be carried. They must therefore be a strong, distinct, and memorable character. [2]
Some of these movements (such as Dada and Beat) were defined by the members themselves, while other terms (for example, the metaphysical poets) emerged decades or centuries after the periods in question. Further, some movements are well defined and distinct, while others, like expressionism, are nebulous and overlap with other definitions.
In Book 22 of the Odyssey, Greek hero Odysseus slaughters all of the suitors in his palace in another homeric display of martial excellence. Aristeia also suggests the qualities of the hero that make his great deeds possible, such as Odysseus' polymetis ("cunning intelligence") that allows him to triumph over the Cyclops Polyphemus in Book 9 of ...
Kullervo, a tragic hero from the Karelian and Finnish Kalevala. The influence of the Aristotelian hero extends past classical Greek literary criticism.Greek theater had a direct and profound influence on Roman theater and formed the basis of Western theater, with other tragic heroes including Macbeth in William Shakespeare's The Tragedy of Macbeth, and Othello in his Othello. [4]
Before this development, the term dramatis personae, naturalized in English from Latin and meaning "masks of the drama", encapsulated the notion of characters from the literal aspect of masks.) A character, particularly when enacted by an actor in the theater or cinema, involves "the illusion of being a human person". [ 7 ]