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Replacing a word with a different word that sounds similar, either unintentionally or for comedic effect. For example, saying "He is the very pineapple of politeness." instead of pinnacle [2] Anthimeria Altering a word's regular part of speech. This can occur naturally with the evolution of a language, but can also be done for emphasis or ...
Techniques that involves figure of speech. Conversion (word formation): a transformation of a word of one word class into another word class; Dysphemism: intentionally using a word or phrase with a harsher tone over one with a more polite tone; Euphemism: intentionally using a word or phrase with a more polite tone over one with a harsher tone
A spoonerism is an occurrence of speech in which corresponding consonants, vowels, or morphemes are switched (see metathesis) between two words of a phrase. [1] [a] These are named after the Oxford don and priest William Archibald Spooner, who reportedly commonly spoke in this way. [2]
Harvard Grad Delivers An Inspiring Speech All graduation speeches are meant to inspire and encourage, but one convocation speaker, a graduate himself, has set the bar with a powerful speech that ...
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
Punch, 25 February 1914.The cartoon is a pun on the word "Jamaica", which pronunciation [dʒəˈmeɪkə] is a homonym to the clipped form of "Did you make her?". [1] [2]A pun, also known as a paronomasia in the context of linguistics, is a form of word play that exploits multiple meanings of a term, or of similar-sounding words, for an intended humorous or rhetorical effect. [3]
Spoken word is an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a 20th-century continuation of an ancient oral artistic tradition that focuses on the aesthetics of recitation and word play, such as the performer's live intonation and voice inflection.
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