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The Apollo of Veii is a good example of the mastery with which Etruscan artists produced these large art pieces. It was made, along with others, to adorn the temple at Portanaccio 's roof line. Although its style is reminiscent of the Greek Kroisos Kouros , having statues on the top of the roof was an original Etruscan idea.
Etruscan sculpture was one of the most important artistic expressions of the Etruscan people, who inhabited the regions of Northern Italy and Central Italy between about the 9th century BC and the 1st century BC. Etruscan art was largely a derivation of Greek art, although developed with many characteristics of its own. [1]
Etruscan black-figure hydria, early 5th century BC. The local production of Etruscan vases probably began in the 7th century BC. Initially, the vases followed examples of black-figure vase painting from Corinth and East Greece. It is assumed that in the earliest phase, vases were produced mainly by immigrants from Greece.
The Chimera of Arezzo is regarded as the best example of ancient Etruscan art. [1] The British art historian David Ekserdjian described the sculpture as "one of the most arresting of all animal sculptures and the supreme masterpiece of Etruscan bronze-casting". [2]
The Sarcophagus of the Spouses (Italian: Sarcofago degli Sposi) is a tomb effigy considered one of the masterpieces of Etruscan art. [1] The Etruscans lived in Italy between two main rivers, the Arno and the Tiber, and were in contact with the Ancient Greeks through trade, mainly during the Orientalizing and Archaic periods. [2]
The Tarquinia Winged Horses are significant examples of Etruscan art, known for their craftsmanship and intricate design. [1] These terracotta sculptures are believed to have adorned the monumental temple known as the Ara della Regina, which dates back to the 4th century BC.
Italian authorities on Tuesday announced the extraordinary discovery of more than 2,000-year-old bronze statues in an ancient Tuscan thermal spring and said the find will “rewrite history ...
It is the earliest example of a tomb with complex frescoes in the necropolis, [5] and the stylistic elements are derived from Ionian Greek culture. Along with the frescoes of the Tomb of the Whipping these paintings are relatively rare examples of explicit sexual scenes in Etruscan art, which were far more common in Ancient Greek art. [6]