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A contralto (Italian pronunciation: [konˈtralto]) is a type of classical female singing voice whose vocal range is the lowest female voice type. [1]The contralto's vocal range is fairly rare, similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F 3 in scientific pitch notation) to the second F above middle C (F 5), although, at ...
The contralto singing voice has a vocal range that lies between the F below "middle C" (F 3) to two Fs above middle C (F 5) and is the lowest type of female voice.In the lower and upper extremes, some contralto voices can sing from two Bs below middle C (B 2) [1] to two B ♭ s above middle C (B ♭ 5).
More important than range in voice classification is tessitura, or where the voice is most comfortable singing, and vocal timbre, or the characteristic sound of the singing voice. [1] For example, a female singer may have a vocal range that encompasses the low notes of a mezzo-soprano and the high notes of a soprano.
Bass range: The bass is the lowest male voice. The bass voice has the lowest tessitura of all the voices. The typical bass range lies between E2 (the second E below middle C) to E4 (the E above middle C). In the lower and upper extremes of the bass voice, some basses can sing from C2 (two octaves below middle C) to G4 (the G above middle C). [3]
Soprano: the highest female voice, being able to sing C 4 (middle C) to C 6 (high C), and possibly higher; Mezzo-soprano: the middle female voice, between A 3 (A below middle C) and A 5 (two octaves above A 3) Contralto: the lowest female voice, F 3 (F below middle C) to E 5 (two Es above middle C). Rare contraltos possess a range similar to ...
The contralto voice has the lowest tessitura of the female voices and is noted for its rich and deep vocal timbre. [2] True operatic contraltos are very rare. [3] The following is a list of contralto singers who have regularly performed unamplified classical or operatic music in concert halls and/or opera houses. [4]
However, the vocal tessitura of a classically trained contralto would still make these singers more comfortable singing in the lower part of the voice. A choral non-solo contralto may also have a low range down to D 3 (thus perhaps finding it easier to sing the choral tenor part), but some would have difficulty singing above E 5. In a choral ...
The term baritone was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre of the voice. For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization.