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Pablo Neruda (/ n ə ˈ r uː d ə / nə-ROO-də; [1] Spanish pronunciation: [ˈpaβlo neˈɾuða] ⓘ; born Ricardo Eliécer Neftalí Reyes Basoalto; 12 July 1904 – 23 September 1973) was a Chilean poet-diplomat and politician who won the 1971 Nobel Prize in Literature. [2]
This poetry book also serves as the subject of Pablo Larraín's acclaimed feature film, Neruda, starring Gael García Bernal. Additionally, the second album of the renowned Chilean series 31 Minutos is titled 31 canciones de amor y una canción de Guaripolo ("31 Love Songs and a Guaripolo Song"), making reference to the title of Neruda's book.
Cien sonetos de amor ("100 Love Sonnets") is a collection of sonnets written by the Chilean poet and Nobel Laureate Pablo Neruda originally published in Argentina in 1959. Dedicated to Matilde Urrutia, later his third wife, it is divided into the four stages of the day: morning, afternoon, evening, and night.
Pablo Neruda is known for his surrealist poems and historical epics which touches political, human and passionate themes. Among his well known works which are read throughout the world include Veinte poemas de amor y una canción desesperada ("Twenty Love Poems and a Song of Despair", 1924), which established him as a prominent poet and an interpreter of love and erotica, and Cien Sonetos de ...
Matilde Urrutia Cerda (30 April 1912 – 5 January 1985) was the third wife of Chilean poet Pablo Neruda, from 1966 until he died in 1973.They met in Santiago, Chile in 1946, when she was working as a physical therapist in Chile.
Canto General is Pablo Neruda's tenth book of poems. It was first published in Mexico in 1950, by Talleres Gráficos de la Nación.Neruda began to compose it in 1938. "Canto General" ("General Song") consists of 15 sections, 231 poems, and more than 15,000 lines. This work attempts to be a history or encyclopedia of
Pablo de Rokha became one of Neruda’s bitterest enemies, considering him bourgeois and a hypocritical opportunist in political and social life. De Rokha wrote several essays and pamphlets in which he railed against Neruda, for example the poem “Tercetos Dantescos”:
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