Search results
Results From The WOW.Com Content Network
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Historical examples of music performance practices using unequal rhythms include notes inégales and swing. The precise performance of dotted rhythms can be a complex issue. Even in notation that employs dots, their performed values may be longer or shorter than the dot mathematically indicates, practices known as over-dotting or under-dotting. [2]
The notation with dots under slurs is ambiguous, because it is also used for very different bowings, including staccato and flying spiccato. [1] [4] Currently, portato is sometimes indicated in words, by "mezzo-staccato" or "non-legato"; or can be shown by three graphic forms: a slur that encompasses a phrase of staccato notes (the most common), or
Braille music is a complete, well developed, and internationally accepted musical notation system that has symbols and notational conventions quite independent of print music notation. It is linear in nature, similar to a printed language and different from the two-dimensional nature of standard printed music notation.
In shape-note singing, repeat signs usually have four dots, between each line of the staff. The corresponding sign to show where the repeat is from is either the same sign reversed (if it is at the beginning of a bar), or the dots themselves (if it is in the middle of a bar).
Without dot 3 or 6, the indicated note is an eighth note (quaver). With dot 6, it is a quarter note; dot 3, a half note; and dots 3,6, a whole note. [9] Every rhythm symbol does double up in meaning: 8th notes match 128th notes; quarter notes (crotchets) match 64th notes; half notes match 32nd notes; and whole notes match 16th notes (semiquavers).
The rare three dots make it one and seven eighths the duration, and so on. The double dot was first used in 1752 by J. J. Quantz; [17] in music of the 18th century and earlier the amount by which the dot augmented the note varied: it could be more or less than the modern interpretation, to fit into the context. [17]
Musical Symbols is a Unicode block containing characters for representing modern musical notation. Fonts that support it include Bravura, Euterpe, FreeSerif, ...