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The statue of Athena Parthenos [N 1] (Ancient Greek: Παρθένος Ἀθηνᾶ, lit. 'Athena the Virgin') was a monumental chryselephantine sculpture of the goddess Athena . Attributed to Phidias and dated to the mid-fifth century BCE, it was an offering from the city of Athens to Athena, its tutelary deity .
The statue is made of pentelic marble, and is 1.76 m. tall (lifesize). [1]Apollo Omphalos is nude, standing firmly on his right leg while the left one is relaxed, slightly bent at knee-height; the pose's strong contrapposto causes the god's buttocks to move to the right.
The statue was probably damaged during the Herulian Sack in 267 AD and was subsequently chopped in half vertically, probably in preparation for loading it into a lime kiln. [23] Pausanias mentions two further statues of Apollo: one made by Leochares, which was probably bronze, [20] and an Apollo Alexikakos ("averter of evil") made by Calamis.
Many famous statues by Greek masters were on display in and around the temple, including a marble statue of the god at the entrance and a statue of Apollo in the cella. [136] Melite (modern Mdina, Malta): A Temple of Apollo was built in the city in the 2nd century AD. Its remains were discovered in the 18th century, and many of its ...
Two other statues were found in the buried cache as well: a larger-than-lifesize bronze archaistic Apollo (Piraeus Apollo) ostensibly from late fourth century, and a similarly sized bronze fourth century-style Athena (Piraeus Athena). [2] Both statues are now exhibited in the Archaeological Museum of Piraeus in Athens.
The statue is housed in the Galleria Borghese in Rome, along with several other examples of the artist's most important early works. The sculpture depicts the climax of the story of Apollo and Daphne (Phoebus and Daphne), as written in Ovid's Metamorphoses, wherein the nymph Daphne escapes Apollo's advances by transforming into a laurel tree.