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Technicolor also dye-transfer printed Eastmancolor and Ansco negative movies where the negative had been processed by another laboratory with the credit Print by Technicolor. Technicolor publicity dated 1954 added the facility to produce dye transfer release prints from Agfacolor , Gevacolor and Ferraniacolor color negative stock, popular in ...
Definitive Technicolor movies using three black-and-white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s, when the 3-strip camera was replaced by a standard camera loaded with single-strip "monopack" color negative film. Technicolor Laboratories were ...
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
Films from 1903 to 1935 that were photographed at least partially in color, including early uses of Technicolor for example. This does not include black and white films that were tinted, hand-painted or colorized.
The first Color Classic was photographed with the Two-Color, two strip Cinecolor process. The rest of the 1934 and 1935 cartoons were filmed in Two-Color Technicolor, because the Disney studio had an exclusive agreement with Technicolor that prevented other studios from using the Three-Color process.
It was the first commercially released film to be produced in the full-color three-strip Technicolor process [3] after several years of two-color Technicolor films. The film was a commercial and critical success, winning the first Academy Award for Best Cartoon Short Subject .
This is a list of color film processes known to have been created for photographing and exhibiting motion pictures in color since the first attempts were made in the late 1890s. It is limited to "natural color" processes, meaning processes in which the color is photographically recorded and reproduced rather than artificially added by hand ...
Running at twenty-one minutes, Aladdin and His Wonderful Lamp is the longest entry in the "color feature" series, and the only one produced at the relocated Fleischer Studios facility in Miami, Florida. Footage from the short, with a new soundtrack and rerecorded dialogue, was reused in the 1949 cartoon "Popeye's Premiere," wherein it is ...