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Film colorization. Film colorization (American English; or colourisation [British English], or colourization [Canadian English and Oxford English]) is any process that adds color to black-and-white, sepia, or other monochrome moving-picture images. It may be done as a special effect, to "modernize" black-and-white films, or to restore color ...
Web-safe color. v. t. e. In digital photography, computer-generated imagery, and colorimetry, a greyscale (more common in Commonwealth English) or grayscale (more common in American English) image is one in which the value of each pixel is a single sample representing only an amount of light; that is, it carries only intensity information.
Monochrome photography. Monochrome photography, or is photography where each position on an image can record and show a different amount of light (value), but not a different color (hue). The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography.
Black Magic. 1949. 1989. Color Systems Technology [ 3 ][ 83 ] The Black Room. 1935. 1994. Columbia Pictures (CST Entertainment Imaging) [ 84 ] Blackboard Jungle.
The expense of color film as compared to black-and-white and the difficulty of using it with indoor lighting combined to delay its widespread adoption by amateurs. In 1950, black-and-white snapshots were still the norm. By 1960, color was much more common but still tended to be reserved for travel photos and special occasions.
The first motion pictures were photographed using a simple homogeneous photographic emulsion that yielded a black-and-white image—that is, an image in shades of gray, ranging from black to white, corresponding to the luminous intensity of each point on the photographed subject. Light, shade, form and movement were captured, but not color.