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Indlamu (Zulu pronunciation: [ind͡ɮaːmu], Afrikaans: Zoeloedans) is a traditional Zulu dance from Southern Africa, synonymous with the Zulu tribe of South Africa and the Northern Ndebele tribe of Western Zimbabwe. The dance is characterised by the dancer lifting one foot over his/her head and bringing it down sharply, landing squarely on the ...
Zimbabwe. Muchongoyo is a presentational dance and drumming style that emphasizes acrobatic and stomping sequences to dazzle spectators during gatherings or competitions with a complementary rythme of sharp claps. In Zimbabwe, it is the most well-liked Ndau dance. [1][2] In Zimbabwe's Chipinge, Chimanimani, Chiredzi, and Buhera districts ...
Mhande is defined as an indigenous song-dance performed as part of the mutoro ceremony, the annual rain ritual of the Karanga. [3] The Mhande dance goes beyond a typical dance performed to a song; it carries historical significance and a deeper meaning. This dance is specifically associated with the midlands tribes and is a crucial facet of ...
Agbadza is an Ewe music and dance that evolved from the times of war into a very popular recreational dance. [1] It came from a very old war dance called Atrikpui and usually performed by the Ewe people of the Volta Region of Ghana, particularly during the Hogbetsotso Festival, a celebration by the Anlo Ewe people. In addition, it is also ...
African dance (also Afro dance, Afrodance and Afro-dance) [1][2][3][4][5] refers to the various dance styles of sub-Saharan Africa. These dances are closely connected with the traditional rhythms and music traditions of the region. Music and dancing is an integral part of many traditional African societies.
Umhlanga [um̩ɬaːŋɡa], or Reed Dance ceremony, is an annual Swazi event that takes place at the end of August or at the beginning of September. [1] In Eswatini , tens of thousands of unmarried and childless Swazi girls and women travel from the various chiefdoms to the Ludzidzini Royal Village to participate in the eight-day event. [ 2 ]
Bharatanatyam is a major genre of Indian classical dance that originated in Tamil Nadu. [18][19][20][21] It is recognized by the Sangeet Natak Akademi as one of the oldest classical dance forms of India. [20][22][23] The name is a portmanteau of the Tamil word Bharatam and Natyam, the Sanskrit word for dance. Bharatam is derived from the first ...
The indlamu input dance style developed into the "African stomp" style, giving a notably African rhythmic impulse to the music. [32] The pairing of mbaqanga with vocals became known as "mgqashiyo", meaning "to bounce", after the "bouncy" rhythms of the style [ 33 ] or simanje-manje music (in Zulu, meaning "now-now"). [ 8 ]