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"Don't Ask Me Why" is a song recorded by British pop music duo Eurythmics, released as the second single from their seventh album, We Too Are One (1989). The song was written by bandmembers Annie Lennox and David A. Stewart and produced by Stewart with Jimmy Iovine .
Eurythmics released their next album, Revenge, in 1986. The album continued their move towards a band sound, verging on an AOR -pop/rock sound. Sales continued to be strong in the UK and internationally, but were somewhat slower in the US, though " Missionary Man " reached No. 14 on the US Hot 100 chart and went all the way to No. 1 on the US ...
D. Don't Ask Me Why (Eurythmics song) Don't Come Around Here No More; G. A Good Heart; H. Here Comes the Rain Again; I. I Am, I Feel; I Need a Man (Eurythmics song) I ...
We Too Are One is the seventh studio album by British pop duo Eurythmics, released on 11 September 1989 by RCA Records. It would be the duo's last studio release until 1999's Peace . Background and release
It should only contain pages that are Eurythmics songs or lists of Eurythmics songs, as well as subcategories containing those things (themselves set categories). Topics about Eurythmics songs in general should be placed in relevant topic categories .
"Don't Ask Me Why" (Eurythmics song), 1989 This page was last edited on 3 February 2017, at 10:03 (UTC). Text is available under the Creative Commons ...
"There Must Be an Angel (Playing with My Heart)" is a song by the British musical duo Eurythmics, released as the second single from their fifth studio album, Be Yourself Tonight (1985). It features a harmonica solo by American musician Stevie Wonder. The song became a worldwide success; most notably in Ireland, Norway and the United Kingdom ...
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]