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Thomas Cole (1 February 1801 – 11 February 1848) was an English-born American artist and the founder of the Hudson River School art movement. [1][2] Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings.
08.228. View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm, commonly known as The Oxbow, is a seminal American landscape painting by Thomas Cole, founder of the Hudson River School. The 1836 painting depicts a Romantic panorama of the Connecticut River Valley just after a thunderstorm.
An 1837 portrait of Cole by fellow Hudson River School painter Asher Brown Durand. Thomas Cole was an English-born American artist and the founder of the Hudson River School art movement. [1] [2] Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings.
The Voyage of Life is a series of four paintings created by the American artist Thomas Cole in 1840 and reproduced with minor alterations in 1842, representing an allegory of the four stages of human life. The paintings, Childhood, Youth, Manhood, and Old Age, depict a voyager who travels in a boat on a river through the mid-19th-century ...
Thomas Cole (1801–1848), The Oxbow, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (1836), Metropolitan Museum of Art. The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism.
Portrait of Thomas Cole by Asher B. Durand, 1837. The Course of Empire is a series of five paintings created by the English-born American painter Thomas Cole between 1833 and 1836, and now in the collection of the New-York Historical Society. The series depicts the growth and fall of an imaginary city, situated on the lower end of a river ...
The exterior panels of Hieronymus Bosch 's The Garden of Earthly Delights. The Titan's Goblet is an oil painting by the English-born American landscape artist Thomas Cole. Painted in 1833, it is perhaps the most enigmatic of Cole's allegorical or imaginary landscape scenes. It is a work that "defies full explanation", according to the ...
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