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Spaeth, John Duncan (1921), Early English Poems, Princeton: Princeton University Press, pp. 68– 71. The poem is explained as a dialogue between The Old Sailor and Youth, and ends at line 66. Kershaw, N. (1922), Anglo-Saxon and Norse Poems, Cambridge: Cambridge University Press, pp. 20– 27.
The Cambridge Learner Corpus (CLC) is a collection of exam scripts written by students learning English, built in collaboration with Cambridge English Language Assessment. The CLC contains scripts from over 180,000 students, from around 200 countries, speaking 138 different first languages and is growing all the time. [ 3 ]
The poem was initially published in The Irish Times on 8 September 1913, under the title "Romance in Ireland (On reading much of the correspondence against the Art Gallery)". It was later included in the pamphlet Nine Poems and the collection Responsibilities (both 1914) as "Romantic Ireland". The poem has been known by its current title only ...
The speaker of Dickinson's poem meets personified Death. Death is a gentleman who is riding in the horse carriage that picks up the speaker in the poem and takes the speaker on her journey to the afterlife. According to Thomas H. Johnson's variorum edition of 1955 the number of this poem is "712".
The actual village blacksmith in the poem, however, was a Cambridge resident named Dexter Pratt, a neighbor of Longfellow's. Pratt's house is still standing at 54 Brattle Street in Cambridge. [ 4 ] Several other blacksmiths have been posited as inspirations for the character in the poem, including "The Learned Blacksmith" Elihu Burritt , to ...
The Old Vicarage, Grantchester" is a light poem by the English Georgian poet Rupert Brooke (1887–1915), written in Berlin in 1912. Initially titled "The Sentimental Exile", Brooke, with help from his friend Edward Marsh , renamed it to the title the poem is now commonly known as.
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