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The blindfolded depiction of her is still an important figure in many aspects of today's Italian culture, where the dichotomy fortuna / sfortuna (luck / unluck) plays a prominent role in everyday social life, also represented by the very common refrain "La [dea] fortuna è cieca" (latin Fortuna caeca est; "Luck [goddess] is blind").
Articles relating to the goddess Fortuna, the goddess of fortune and the personification of luck in Roman religion who, largely thanks to the Late Antique author Boethius, remained popular through the Middle Ages until at least the Renaissance. She is identified with the Greek goddess Tyche.
The wheel belongs to the goddess Fortuna (Greek equivalent: Tyche) who spins it at random, changing the positions of those on the wheel: some suffer great misfortune, others gain windfalls. The metaphor was already a cliché in ancient times, complained about by Tacitus , but was greatly popularized for the Middle Ages by its extended treatment ...
Fortuna Redux was a form of the goddess Fortuna in the Roman Empire who oversaw a return, as from a long or perilous journey. Her attributes were Fortuna's typical cornucopia , with her specific function represented by a rudder or steering oar sometimes in conjunction with a globe.
It is a complaint about Fortuna, the inexorable fate that rules both gods and mortals in Roman mythology. In 1935–36, "O Fortuna" was set to music by German composer Carl Orff as a part of "Fortuna Imperatrix Mundi", the opening and closing movement of his cantata Carmina Burana. It was first staged by the Frankfurt Opera on 8 June 1937.
Tyche (/ ˈ t aɪ k i /; Ancient Greek: Τύχη Túkhē, 'Luck', Ancient Greek: [tý.kʰɛː], Modern Greek:; Roman equivalent: Fortuna) was the presiding tutelary deity who governed the fortune and prosperity of a city, its destiny.
It is most associated with Fortuna since, along with the cornucopia, it is an item that she is often depicted as holding. The corresponding Greek god Tyche is also regularly shown with a gubernaculum. There are abundant depictions of Fortuna holding the gubernaculum on coins, in paintings, on altars and statues or statuettes.
Allegory of Fortune, sometimes also named La Fortuna, is an oil painting on canvas featuring the Roman goddess of fortune, Fortuna, that was created c. 1658 or 1659 by the Italian baroque painter Salvator Rosa. The painting caused uproar when first exhibited publicly and almost got the painter jailed and excommunicated.