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Japanese Buddhist architecture is the architecture of Buddhist temples in Japan, consisting of locally developed variants of architectural styles born in China. [1] After Buddhism arrived from the continent via the Three Kingdoms of Korea in the 6th century, an effort was initially made to reproduce the original buildings as faithfully as possible, but gradually local versions of continental ...
Main hall or Main Temple is the building within a Japanese Buddhist monastery compound which enshrines the main object of veneration. [1] Because the various denominations deliberately use different terms, this single English term translates several Japanese words, among them butsuden , butsu-dō , kondō , konpon-chūdō , and hondō .
A torii at the entrance of Shitennō-ji, a Buddhist temple in Osaka. In Japan, Buddhist temples co-exist with Shinto shrines and both share the basic features of Japanese traditional architecture. [3] Both torii and rōmon mark the entrance to a shrine, as well as to temples, although torii is associated with Shinto and rōmon with Buddhism.
Tōfuku-ji's sanmon (Japan's National Treasure). A sanmon (三門 or 山門) or sangedatsumon (三解脱門, lit. "gate of the three liberations") is the most important mon of a Japanese Zen Buddhist temple, and is part of the Zen shichidō garan, the group of buildings that forms the heart of a Zen Buddhist temple. [1]
Buddhism brought to Japan the idea of permanent shrines and the presence of verandas, stone lanterns, and elaborate gates are some which are used both in a Shinto shrine and a Buddhist temple. The composition of a Shinto shrine is extremely variable, and none of its possible features are necessarily present.
Kairō (回廊 or 廻廊), bu (廡), sōrō or horō (歩廊) is the Japanese version of a cloister, a covered corridor originally built around the most sacred area of a Buddhist temple, a zone which contained the kondō and the tō. Nowadays it can be found also at Shinto shrines and at shinden-zukuri aristocratic residences. [1]
Daibutsuyō (大仏様, lit. great Buddha style) is a Japanese religious architectural style which emerged in the late 12th or early 13th century. Together with Wayō and Zenshūyō, it is one of the three most significant styles developed by Japanese Buddhism on the basis of Chinese models. Originally called tenjikuyō (天竺様, lit.
The shōrō, shurō (鐘楼, lit. bell building) or kanetsuki-dō (鐘突堂, lit. bell-striking hall) is the bell tower of a Buddhist temple in Japan, housing the temple's bonshō (梵鐘). It can also be found at some Shinto shrines which used to function as temples (see article Shinbutsu shūgō), as for example Nikkō Tōshō-gū.