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Shiva and Parvati are often represented sitting face to face (the sammukha mudra). They can also be seen in various postures connoting love and desire such as embracing each other in the alingana pose. Shiva in some representations touches and caresses Parvati's breasts (the kuca-sparsa pose) or holds her in his lap (atikarohana form).
Ardhanarishvara "is in essence Shiva, not Parvati". This is also reflected in mythology, where Parvati becomes a part of Shiva. It is likewise reflected in iconography: Shiva often has two supernatural arms and Parvati has just one earthly arm, and his bull vahana – not her lion vahana – typically accompanies them. [66]
Various wedding guests are depicted in the scene. Shiva's attendant ganas enjoy the festivities; playing drums or dancing. The vahanas (mounts) of the couple, Shiva's bull Nandi and Parvati's lion, are sometimes pictured in the scene. In vertical panel depictions, the celestial guests are often shown flying over Shiva and Parvati.
Attributed to Khushala The Gods Sing and Dance for Shiva and Parvati (late 18th century) From sculpture to dance, many Indian arts explore and express the stories of Parvati and Shiva as themes. For example, Daksha Yagam of Kathakali, a form of dance-drama choreography, adapts the romantic episodes of Parvati and Shiva. [88]
Now it has become an important Hindu worshipping centre of the region, with devotees coming from far and near. In addition to the main Shiva-Parvati idol, the Temple's inner courtyard features sub-temples for Lord Ganesha and Lord Sastha. Other sub-temples for Naga Raja, Naga Yakshi, Naga Kanyaka and Rakshas are also located within the main ...
Nandi or Nandin (Tamil: நந்தி Sanskrit: नंदी), is now universally supposed to be the name for the bull which serves as the mount (Sanskrit: vāhana) of Shiva and as the gate keeper of Shiva and Parvati in Hindu mythology. Temples venerating Shiva and Parvati display stone images of a seated Nandi, generally facing the main shrine.