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Margaret Walker's evocative poetry has inspired new musical compositions by 20th and 21st-century composers. Inspired works include Randy Klein's 2011 For My People — The Margaret Walker Song Cycle, a song cycle for choir (formerly entitled Lineage), [23] [24] and Edward W. Hardy's 2022 BORN FREE, a song cycle for soprano, violin and piano. [25]
A philosophical poet is a poetic writer who employs poetic devices to explore subjects common to the field of philosophy, esp. those revolving around language: e.g., philosophy of language, semiotics, phenomenology, hermeneutics, literary theory, psychoanalysis, and critical theory. [1]
Beattie was an amateur cellist and member of the Aberdeen Musical Society. He considered questions of music philosophy in his essay On Poetry and Music (written 1762, published 1776), which was republished several times and translated into French in 1798. His poem "The Hermit" was set to music by Tommaso Giordani (1778). [5]
Other writers use the poem as a form, much like a sonnet, and create their own words for it as in "Strunklemiss" by Shay K. Azoulay [54] or the poem "Oh Freddled Gruntbuggly" recited by Prostetnic Vogon Jeltz in Douglas Adams' The Hitchhiker's Guide to the Galaxy, a 1979 book which contains numerous other references and homages to Carroll's ...
Barbara G. Walker (born July 2, 1930, in Philadelphia, Pennsylvania) is an American author and feminist.She is a knitting expert and the author of over ten encyclopedic knitting references, despite "not taking to it at all" when she first learned in college.
Mr. Poe, the most hyper-critical writer of this meridian, cuts the poetry of William Ellery Channing Junior, if not into inches, at least into feet. Mr. C's poetry is very trashy, and we should as soon expect to hear Bryant writing sonnets on a lollypop as to see Mr. Poe gravely attempt to criticize the volume. [12]
The poets listed below were either born in the United States or else published much of their poetry while living in that country. This is a dynamic list and may never be able to satisfy particular standards for completeness.
In this way, the metaphor becomes both science and poetry; it is a sort of subjective science, the ontology of the world as it appears to the individual. Percy says that we can only understand reality through metaphor. We never perceive the world--"We can only conceive being, sidle up to it by laying something else alongside" (72). All language ...