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In Indian classical music, the notes in order are: sa, re, ga, ma, pa, dha, and ni, which correspond to the Western solfege system. [ 6 ] For Han people 's music in China, the words used to name notes are (from fa to mi): 上 ( siong or shàng ), 尺 ( cei or chǐ ), 工 ( gōng ), 凡 ( huan or fán ), 六 ( liuo or liù ), 五 ( ngou or wǔ ...
The original sequence was Ut Re Mi Fa Sol La, where each verse started a scale note higher. "Ut" later became "Do". The equivalent syllables used in Indian music are: Sa Re Ga Ma Pa Dha Ni. See also: solfège, sargam, Kodály hand signs. Tonic sol-fa is a type of notation using the initial letters of solfège.
Italian "solfeggio" and English/French "solfège" derive from the names of two of the syllables used: sol and fa.[2] [3]The generic term "solmization", referring to any system of denoting pitches of a musical scale by syllables, including those used in India and Japan as well as solfège, comes from French solmisation, from the Latin solfège syllables sol and mi.
"Do-Re-Mi" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names. Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in the song.
Fixed do uses the syllables re–mi–fa–sol–la–ti specifically for the C major scale, while movable do labels notes of any major scale with that same order of syllables. Alternatively, particularly in English- and some Dutch-speaking regions, pitch classes are typically represented by the first seven letters of the Latin alphabet (A, B ...
(see below). The other important systems are seven-shape systems, which give a different shape and syllable to every note of the scale. Such systems use as their syllables the note names "do, re, mi, fa, so, la, ti, do" (familiar to most people due to the song "Do-Re-Mi" from The Sound of Music). A few books (e.g.
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Vocal range plays such an important role in classifying singing voices into voice types that sometimes the two terms are confused with one another. A voice type is a particular kind of human singing voice perceived as having certain identifying qualities or characteristics; vocal range being only one of those characteristics.