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George Simon Kaufman (November 16, 1889 – June 2, 1961) was an American playwright, theater director and producer, humorist, and drama critic.In addition to comedies and political satire, he wrote several musicals for the Marx Brothers and others.
To the Ladies is a 1922 play by George S. Kaufman and Marc Connelly. The play's title occasionally appears with an exclamation point at the end. It is a fast-paced three-act comedy with four scenes, three settings, and fourteen characters. The story concerns the efforts of a newly married wife to help her scatter-brained husband rise in his career.
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Publicity flyer. Merrily We Roll Along is a play by George S. Kaufman and Moss Hart.It concerns a man who has lost the idealistic values of his youth. Its innovative structure presents the story in reverse order, with the character regressing from a mournful adult to a young man whose future is filled with promise.
First Lady is a 1935 play written by Katharine Dayton and George S. Kaufman.It is a three-act comedy, with three settings and a large cast. There are four scenes, which occur at monthly intervals starting with the December prior to a presidential election year.
The Butter and Egg Man is a 1925 play by George S. Kaufman, the only play he wrote without collaborating. It was a Broadway hit during the 1925–26 season at the Longacre Theatre . [ 1 ] Adapted to film six times, it is still performed on stages today.
Dulcy is a 1920 play by George S. Kaufman and Marc Connelly.It is a fast-paced three-act comedy with one setting and eleven characters. The story concerns a warm-hearted and wrong-headed woman who is a compulsive meddler and bromide; she cheerfully arranges other people's lives to their dismay.
Silk Stockings is a musical with a book by George S. Kaufman, Leueen MacGrath, and Abe Burrows and music and lyrics by Cole Porter. The musical is loosely based on the Melchior Lengyel story Ninotchka and the 1939 film adaptation it inspired. [1] It ran on Broadway in 1955. [2] This was the last musical that Porter wrote for the stage.