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Ground was broken for the current Terminal 1 building on October 26, 1958. [12] The US $8.5 million, 600,000 square foot (56,000 m 2) terminal with 24 gates on two concourses was designed by Lyle George Landstrom. [13] who worked for Cerny Associates. The terminal, then referred to as the New Terminal, was completed on January 13, 1962, and ...
The Kennedy Center as seen from the air on January 8, 2006 (before construction of the REACH expansion). A portion of the Watergate complex can be seen at the left. The idea for a national cultural center dates to 1933 when First Lady Eleanor Roosevelt discussed ideas for the Emergency Relief and Civil Works Administration to create employment for unemployed actors during the Great Depression. [4]
Terminal 1–Lindbergh station is a light rail station on the Metro Blue Line. It is the only underground station on the Blue Line and is located 69 feet (21 m) below ground level at Minneapolis–Saint Paul International Airport. It is a center-platform station that is accessed by escalator or elevator. Service began at the site when the ...
The opening brings the concept full circle, in a way, having first opened in Keg and Case food hall before expanding to its current full-service restaurant on Nicollet Avenue near 46th Street.
[1] [2] [3] In 2011, VSA became the Department of VSA and Accessibility at the John F. Kennedy Center for the Performing Arts. The purpose of VSA – which started out as Very Special Arts – is "to provide people of all ages living with disabilities the opportunity to learn through, participate in and enjoy the arts." A primary focus is on ...
The older of the two systems, the Hub Tram, opened on April 3, 2001. [1] Covering a distance of 1,100 feet (340 m), the Hub Tram is designed to quickly transport passengers between the Lindbergh Terminal and the Hub Building where travelers can find rental car service counters, a transit center and the Airport-Lindbergh Terminal light rail station, from which passengers can transfer to the ...
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The studio was designed specifically for dance with a sprung maple floor, studio lighting and a wall of mirrors. It houses the center's long distance learning program. Using video conferencing technology, the center brings artists into classrooms to create two-way, interactive, real-time teaching environments.