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Developed in 1978 with mass production beginning a year later, [35] the Pro Co Rat was the first mass-produced distortion pedal. In the Rat, Pro Co's engineers sought to improve upon the earlier Fuzz Face and ultimately designed a pedal with, as Guitar World wrote, a "hard, aggressive sound and tight, focused clipping" that set the template for ...
Since then, he develops his own pedals, starting with a boost pedal; his most popular effect is a compressor (first built in 2001), selling more than 27,000 copies. [3] According to Guitar World, Keeley Electronics has grown into "one of the world’s top sellers of guitar effects pedals". [4]
Fulltone USA Inc. is an American manufacturer of effects pedals for the electric guitar.Founded by Michael Fuller in California in 1991, Fulltone was one of the first "boutique" pedal companies [1] and became best-known for its overdrive pedals, the Full-Drive and OCD, with the latter dubbed by Music Radar "one of the most legendary overdrives ever made."
Strobe tuner and regular electronic tuner pedals indicate whether a guitar string is too sharp or flat. [128] Stompbox-format tuner pedals route the electric signal for the instrument through the unit via a 1/4" patch cable. These pedal-style tuners usually have an output so that the signal can be plugged into a guitar amp to produce
DOD Electronics, or simply DOD, also known as their brand name DigiTech, is an American manufacturing company that makes guitar effects pedals, as well as active crossover gear. DOD is owned by Cortek, the parent company of Cort Guitars. Their DigiTech Whammy pedal has been called "one of the most significant innovations in pedal tech". [1]
JHS Angry Charly overdrive/distortion pedal. JHS manufactures and sells pedals with a variety of effects, including the Morning Glory V4, the Muffuletta, the 3 Series, the Pulp'N'Peel V4, the Andy Timmons AT+, the Paul Gilbert PG-14, the Legends of Fuzz series, the Unicorn Univibe, the Lucky Cat, the Double Barrel V4, the 1966 Series and the Colour Box preamp.
By rolling the volume knob, the guitar player can decrease the gain of the pedal and get a clean or crunch sound, while still having all the gain when the volume knob is on maximum. [ clarification needed ] For the same reason, Fuzz Face pedals react differently when placed directly after the guitar than when after other pedals or after a ...
The Klon Centaur is an overdrive pedal made by the American engineer Bill Finnegan between 1994 and 2008. Finnegan aimed to create a pedal that would recreate the harmonically rich distortion of a guitar amplifier at a high volume. Finnegan struggled to meet demand, and used units sold for inflated prices.