Search results
Results From The WOW.Com Content Network
Some philosophical poets may make broad philosophical inquires and engage with diverse philosophical topics throughout their poetry, while others may concentrate within one branch of philosophical poetry. For example, Dante is considered by some to be both a philosophical poet, in a general sense, as well as a metaphysical poet. [7]
Cognitive poetics is a school of literary criticism that applies the principles of cognitive science, particularly cognitive psychology, to the interpretation of literary texts.
Sylvia Plath. The Sylvia Plath effect is the phenomenon that poets are more susceptible to mental illness than other creative writers. The term was coined in 2001 by psychologist James C. Kaufman, and implications and possibilities for future research are discussed. [1]
Romantic psychology was not so much an application of the theses of philosophical Romanticism to the field of psychology as a particular development of the Romantic philosophy of nature. [3] The creed of this philosophy proclaimed the unity of the world and man in an organic and cosmic totality, which excluded all dualism. [3]
Philosophy of psychology also closely monitors contemporary work conducted in cognitive neuroscience, cognitive psychology, and artificial intelligence, for example questioning whether psychological phenomena can be explained using the methods of neuroscience, evolutionary theory, and computational modeling, respectively.
The Oxford English Dictionary defines psychologism as: "The view or doctrine that a theory of psychology or ideas forms the basis of an account of metaphysics, epistemology, or meaning; (sometimes) spec. the explanation or derivation of mathematical or logical laws in terms of psychological facts."
Leonardo Bruni's translation of Aristotle's Poetics. Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, [1] though usage of the term can also refer to literature broadly.
The theory of anxiety of influence is a theory applied principally to early nineteenth century romantic poetry. Its author, Harold Bloom, maintains that the theory has general applicability to the study of literary tradition, ranging from Homer and the Bible to Thomas Pynchon and Anne Carson in the 20th and 21st century.