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Other artists were invited to submit songs for the movie including contemporary Christian artist Michael W. Smith. He mentions in the liner notes to the song "In My Arms Again" from his 1998 album Live the Life; [9] "Inspired and written for the movie Titanic, grateful for the opportunity to send them a song; grateful it landed on this record."
Wherever You Are is the eighth studio album by Third Day, and the band's ninth album overall. The album debuted on the Billboard 200 at No. 8, performing comparably to major chart debuts such as Santana's All that I Am and Blink-182's Greatest Hits. It was nominated for a Grammy Award for Best Pop/Contemporary Gospel album in 2006. [4]
The song became "imprinted on the movie's legacy", and every listen prompts a reminder of the blockbuster and the hype surrounding it. [31] USA Today agreed that the song will be forever tied to Titanic. [55] The Washington Post has argued that it is the marriage of music and image that make both the song and film greater than the sum of their ...
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in Classical music theory. In ...
"Wherever You Are" (Jack Ingram song) "Wherever You Are" (Kodaline song) "Wherever You Are" (Mic Geronimo song) "Wherever You Are" (Military Wives song) "Where Ever U Are", a song by Cedric Gervais featuring Jessica Sutta "Wherever You Are", a song by 5 Seconds of Summer from their 2012 EP Somewhere New
"The Lost Chord" is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called "A Lost Chord", published in 1860 in The English Woman's Journal. [1]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
There are several regional variations on the song. According to Newman I. White's 1928 book American Negro Folk-Songs , "The Titanic" has been traced back to 1915 or 1916 in Hackleburg, Alabama . Other versions from around 1920 are documented in the Frank C. Brown Collection at Duke University in North Carolina .