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  2. O Holy Night - Wikipedia

    en.wikipedia.org/wiki/O_Holy_Night

    Fall on your knees! O hear the angel voices! O night divine, O night when Christ was born! O night divine! O night, O night divine! Led by the light of faith serenely beaming, With glowing hearts by His cradle we stand. So led by light of a star sweetly gleaming, Here came the wise men from the orient land. The King of kings lay thus in lowly ...

  3. File:Oh Holy Night (Kevin MacLeod) (ISRC USUAN1100127).oga

    en.wikipedia.org/wiki/File:Oh_Holy_Night_(Kevin...

    You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.

  4. O Night Divine (album) - Wikipedia

    en.wikipedia.org/wiki/O_Night_Divine_(album)

    O Night Divine is a 1999 album by Trace Bundy. It comprises raw acoustic instrumental arrangements of Christmas songs. It comprises raw acoustic instrumental arrangements of Christmas songs. The album was re-released in September 2003.

  5. Recorder (musical instrument) - Wikipedia

    en.wikipedia.org/wiki/Recorder_(musical_instrument)

    Other sixteenth-century composers whose instrumental music can be played well on recorder consorts include: Anthony Holborne (c. 1545 – 1602) Tielman Susato (c. 1510 – c. 1570) Other notable composers of the Renaissance whose music may be played on the recorder include: Guillaume Dufay (1397 – 1474) Johannes Ockeghem (1410/1425 – 1497)

  6. Triad (music) - Wikipedia

    en.wikipedia.org/wiki/Triad_(music)

    Types of triads: I ⓘ, i ⓘ, i o ⓘ, I + ⓘ In music, a triad is a set of three notes (or "pitch classes") that can be stacked vertically in thirds. [1] Triads are the most common chords in Western music. When stacked in thirds, notes produce triads. The triad's members, from lowest-pitched tone to highest, are called: [1] the root

  7. Mystic chord - Wikipedia

    en.wikipedia.org/wiki/Mystic_chord

    In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).