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Wolfgang Amadeus Mozart's Violin Concerto No. 1 in B ♭ major, K. 207, once was supposed to have been composed in 1775 (when Mozart was 19), along with the other four wholly authentic violin concertos. However, analysis of handwriting and the manuscript paper on which the concerto was written suggest that the date of composition might have ...
Presumably the Concertone was performed by the Salzburg court orchestra. Music with string solos was fashionable at the time, led by Mozart's employer Archbishop Colloredo, who himself played the violin. It was written before the 1775 violin concertos in Salzburg, and was first published in 1870 in Leipzig by August Cranz Hofmeister.
Quasi una Cadenza for solo violin, Op. 26 (2002) Kaddish for solo violin, Op. 78 (2018) Stephen Brown. Suite No. 1 for solo violin "Takkakaw Falls" (2003/04) Four Romances and a Lunch, 5 movements for solo violin (2005) Suite No. 2 for solo violin "There Was a Lady in the East" (2007)
Ludwig van Beethoven wrote cadenzas for Mozart's Piano Concerto No. 20 in D minor [1] first and third movements. Joseph Joachim wrote a cadenza for Brahms's Violin Concerto. [1] Benjamin Britten wrote a cadenza for Haydn's Cello Concerto No. 1 in C for Mstislav Rostropovich. David Johnstone wrote A Manual of Cadenzas and Cadences for Cello, pub ...
Mozart: Clarinet Quintet, Jörg Widmann, Arcanto Quartet (Harmonia Mundi 2013) OCLC 858636943 DNB-IDN 1053667884; Three Shadow Dances (with Mozart: Clarinet Concerto, Weber: Clarinet Concerto No. 1), Jörg Widmann, Peter Ruzicka, Deutsches Symphonie-Orchester Berlin (Orfeo 2016) [107] OCLC 987206225 DNB-IDN 1108305768; Once upon a time...
Violin Concerto No. 1 (Mozart) Violin Concerto No. 2 (Mozart) Violin Concerto No. 3 (Mozart) Violin Concerto No. 4 (Mozart) Violin Concerto No. 5 (Mozart) Violin Concerto No. 6 (Mozart) Violin Concerto No. 7 (Mozart)
It was probably a replacement movement for the original slow movement of his Violin Concerto No. 5 in A. It is believed that Mozart wrote it specifically for the violinist Antonio Brunetti, who complained that the original slow movement was "too artificial". [1] The work is scored for solo violin, two flutes, two horns in E and strings.
He also notes the experimental writing of the cello part, and that this work holds a historical importance within Mozart's output; the fact that it is his only writing for solo cello and orchestra as of present, with a lost Cello Concerto in F major, K. 206a still being documented in the composer's catalogue, and a possibility of it being ...