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The pioneers of photography in the Philippines were Western photographers, mostly from Europe.The practice of taking photographs and the opening of the first photo studios in Spanish Philippines, from the 1840s to the 1890s, were driven by the following reasons: photographs were used as a medium of news and information about the colony, as a tool for tourism, as an fork anthropology, as a ...
The arts in the Philippines reflect a range of artistic influences on the country's culture, including indigenous art. Philippine art consists of two branches: traditional [1] and non-traditional art. [2] Each branch is divided into categories and subcategories.
The photography series En el baño (In the Bathroom) and Cuadrilleros (Laborers) are also his works. [ 4 ] He is regarded to be the first professional Filipino photographer and the first Filipino artist to "consciously use photography as a medium for art."
The Order of National Artists of the Philippines (Tagalog: Orden ng mga Pambansang Alagad ng Sining ng Pilipinas) is an order bestowed by the President of the Philippines on Philippine nationals who have made significant contributions to the development of Philippine art. Members of the order are known as National Artists.
Eduardo Masferré (April 18, 1909 – June 24, 1995) was a Filipino-Catalan photographer who made important documentary reports about the lifestyle of native people in the region of the Cordillera in the Philippines at the middle of 20th century. [1] He is regarded as the Father of Philippine photography. [2]
Stieglitz was notable for introducing fine art photography into museum collections. Fine-art photography is photography created in line with the vision of the photographer as artist, using photography as a medium for creative expression. The goal of fine-art photography is to express an idea, a message, or an emotion.
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In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style restricted to a few of the small cities of the period, to important monasteries , as well ...