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O mind, worship Lord Rama, who is friend of the poor, who is as bright as the sun, who is destroyer of the descendants of demons and monsters. He is the source of the delight of the Raghu lineage, a cloud of bliss, the moon in the sky of the Kosala country (Ayodhya), and the son of Dasharatha. ॥3॥
His devotional kirtana lyrics to Rama illustrate the classical Pallavi, Anupallavi and Charanam genre composed mostly in Telugu, some in Sanskrit and with occasional use of Tamil language. These are famous in South Indian classical music as Ramadaasu Keertanalu .
Once, Rama tried to catch him with all the antics of an excited child. A moment of doubt regarding Rama's divinity occurred in the sage's mind. When Kakabhushundi soared towards the sky, he realised that the deity's fingers were always mere fingerbreadths away from him, even when he flew all the way to Brahmaloka .
He was a prolific composer and highly influential in the development of the South Indian classical music tradition. Tyagaraja is said to have composed thousands of devotional compositions, most of them in praise of Lord Rama; some of which remain very popular even today.
Sundar Kāṇḍ begins with a hymn in the praise of Rama: I adore the Lord of the universe bearing the name of Rama, the chief of the Raghu's line & the crest-jewel of kings, the mine of compassion, the dispeller of all sins, appearing in human form through His Māyā (deluding potency), the greatest of all gods, knowable through Vedānta (the ...
The mantra was often used by Mahatma Gandhi. [6] Neem Karoli Baba encouraged the constant repetition of "Ram" in order to become closer to God, saying: "By taking the name of Ram, everything is accomplished." A popular mantra is Shri Rama Jaya Rama Jaya Jaya Rama [7] (often prefixed with "Om"), which was popularised in western India by Samarth ...
The title of the song means one who roams (vihara) in Srirangam (Rangapura), a temple town in Tamil Nadu, India. It details the exploits of the Lord Rama, whose family deity is Ranganatha of Srirangam. The most famous version of this song was rendered by M.S.Subbulakshmi, live at the United Nations. It has a pallavi, anupallavi and charanam.
Mantra japa. 21–24: Salutations to Āditya. 25–30: A description of the results of this prayer, the method of recital, and the procedure followed by Rāma to successfully invoke Āditya to bless him with the requisite strength for the victory on the battlefield.