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The performance rights organization GEMA argued that YouTube had not done enough to prevent the uploading of German copyrighted music. YouTube responded by stating: YouTube responded by stating: We remain committed to finding a solution to the music licensing issue in Germany that will benefit artists, composers, authors, publishers, and record ...
"Respectable" is a song by the English rock band the Rolling Stones from their 1978 album Some Girls. It was written by Mick Jagger and Keith Richards.In the liner notes to the 1993 compilation album Jump Back: The Best of The Rolling Stones (on which it was included), Jagger said, "It's important to be somewhat influenced by what's going on around you and on the Some Girls album, I think we ...
"Respect" is a song written and performed by American soul singer-songwriter Otis Redding, and later rearranged by Aretha Franklin. It was released in 1965 as a single from Redding's third album Otis Blue/Otis Redding Sings Soul and became a crossover hit for Redding.
A song written more than 50 years ago to protest the death of four students at Kent State University is seeing a resurgence. Here's why.
Image credits: jaysornotandhawks #3. Retail. Believe it or not, it was once considered a respectable job. Adults would work full time for years with the same company, be knowledgeable about what ...
Some artists who are not represented by SESAC, such as Beyoncé and Nicki Minaj, had some of their videos pulled from Youtube due to the song being a collaboration with a songwriter or musician that is represented by SESAC. [144] On September 30, YouTube announced that they had reached a deal with SESAC to unblock the affected videos. [145]
Image credits: toptrot #4. My high school used to have a d**g project where we’d have to give a presentation on a certain d**g. There was a little thing on how it’s made, like in a lab or it ...
In YouTube's first years, however, music labels had trouble gauging the commercial value of online popularity, perceiving that the Internet's "convenience factor" made an artist's online following less indicative of audience attachment than direct measures such as CD sales and concert attendance. [132]