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"Suburbia" is a song by English synth-pop duo Pet Shop Boys from their debut album, Please (1986). It was re-recorded with producer Julian Mendelsohn for release as the fourth single from the album. Peaking at number eight on the UK Singles Chart , "Suburbia" was the band's second top 10 hit after " West End Girls ", [ 5 ] and in their view it ...
The song's lyrics were written by lead singer Billie Joe Armstrong, and the music was composed by the band. Production was handled by Rob Cavallo and Green Day. The song speaks from the point of view of American Idiot ' s main character, " Jesus of Suburbia ", and is a moderate midtempo song characterized by somber and bleak lyrics.
"Strangers When We Meet" is a song by English musician David Bowie, originally recorded for his 1993 album The Buddha of Suburbia. In 1995, Bowie re-recorded the song for his 20th studio album, Outside (1995), and this version was edited and released in November 1995 by RCA as the second single from the album, paired with a reworked version of Bowie's 1970 song "The Man Who Sold the World".
"Jesus of Suburbia" is a song by the American rock band Green Day. It was released as the fifth and final single from the group's seventh studio album, American Idiot , and the second song on the album.
After this, he rewrote the lyrics to "White Collar Worker" with a new chorus and the title "Takin' Care of Business". The new lyrics also take a self-ironic glance at the idea of glamorous rock stars who do not really need to work, contrasted with working-class men, in a vein that prefigured Dire Straits' "Money for Nothing" a decade later ...
"The Buddha of Suburbia" is the theme song to the BBC TV series of the same name, released by British musician David Bowie in November 1993 by Arista Records. It was re-recorded with American musician Lenny Kravitz for Bowie's 19th studio album, also titled The Buddha of Suburbia (1993), and inspired by his musical score for the series.
In the days since a U.S. Army veteran drove a truck into dozens of New Year's Day revelers, normalcy has begun to return to a stricken yet defiant New Orleans, where music is again streaming from ...
The lyrics document his sudden perception of God amid the temptations of the material world, including recreational drugs, and serve as an account of a religious epiphany. Ronnie later admitted to being confused by the concept, and some writers have commented on the song's unsuitability as a vehicle for her comeback.