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A song made by ISPR, Pakistan Zindabad was uploaded on 23 March 2019 on YouTube officially. [39] A song made by ISPR, Pakistan Zindabad was uploaded on 21 February 2018 on you-tube officially. [40] ISPR's official youtube channel has been uploading various songs and documentaries depicting "Pakistan Zindabad" theme. [41]
In traditional Sufi chant, the length of the -u is exaggerated. As a noun phrase, the chant is interpreted as meaning "God is". Haqq is the Arabic for "truth", so that the full dhikr translates to "God is. God is. God is Truth." A Na'at starts off like this: "Allahu diya paiyan pukaran aqa aye ayan bharan".
France's national motto Liberté, égalité, fraternité, seen on a public building in Belfort. This article lists state and national mottos for the world's nations. The mottos for some states lacking general international recognition, extinct states, non-sovereign nations, regions, and territories are listed, but their names are not bolded.
Zia Fatehabadi [1] was born on 9 February 1913 at Kapurthala, Punjab.He was the eldest son of Munshi Ram Soni (1884–1968), a Civil Engineer by profession, who belonged to the Soni (Khatri) family of Kapila Gotra [2] that at some time during the reign of the Mughal Emperor Shahjahan, had migrated from Rajasthan to Punjab and settled at Fatehabad, Punjab near Tarn Taran [3]
Ehd-e-Wafa (Urdu: عہدِ وفا, lit. 'Pledge of Allegiance') is a Pakistani television series created by Inter-Services Public Relations (ISPR), the media wing of Pakistan Army and Momina Duraid under MD Productions.
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]
[9] [22] [23] Pashaura Singh writes that "the meaning of Oankar in the Sikh tradition is quite different in certain respects from the various interpretations of this word in the Indian philosophical traditions", [22] and the Sikhs "rather view Oankar as pointing to the distinctively Sikh theological emphasis on the ineffable quality of God, who ...
Marfa is a form of celebratory rhythmic music and dance among the Hyderabadi Muslims in the Deccan region adapted from Afro-Arab music of Hadhramawt in Yemen. [1] It is played at a high tempo using instruments such as marfa, daff, dhol, sticks, [2] steel pots and wooden strips called thapi.