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A mantle (from old French mantel, from mantellum, the Latin term for a cloak) is a type of loose garment usually worn over indoor clothing to serve the same purpose as an overcoat. Technically, the term describes a long, loose cape -like cloak worn from the 12th to the 16th century by both sexes, although by the 19th century, it was used to ...
Notice the short mantle worn by the King. Originally, mantles and the religious cope, coming from similar origins as a cloak worn by all classes, were indistinguishable, except that the religious garment may have a flap representing a hood, and the mantle may be fastened at the shoulder instead of the front. Therefore, while the cope was used ...
A cloak is a type of loose garment worn over clothing, mostly but not always as outerwear for outdoor wear, serving the same purpose as an overcoat, protecting the wearer from the weather. It may form part of a uniform. [1] People in many different societies may wear cloaks. Over time cloak designs have changed to match fashion and available ...
Long, lightweight, loose, undivided garments which can be fully opened up at the front. Includes both indoor and outdoor garments. For equivalent garments which cannot be fully opened at the front, see Gowns.
A cardinal wearing a cassock, rochet, a mantelletta and a mozzetta. The mantelletta is probably connected with the mantellum of the cardinals in the "Ordo" of Gregory X (1271–1276) and with the mantellum of the prelates in the "Ordo" of Petrus Amelius (d. 1401), which was a vestment similar to a scapular.
It can denote not only a cloak, but also a foot-length sleeveless dress with straps (or a brooch) worn directly on the skin. The second is a common dress form in the entire Mediterranean world. In a Greek cultural context, this is called peplos. In a Roman cultural context, if worn by a Roman matron, it also takes the name stola.
Love bombing typically comes in cycles, with the love bombing itself as the first stage, followed by idealization, devaluation, and lastly, discarding of the partner.
The lady wears the crowskin cloak, takes the dresses and flees to another kingdom, where she works for a queen and her son. The son mocks her strange appearance and calls her "Kråksnäckan" ("Crow-nose"). One day, the queen and the prince attend a ball; Kråksnäckan takes off the crow cloak, puts on the bronze dress and goes to the ball.