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The Seven Seals of God from the Bible's Book of Revelation are the seven symbolic seals (Greek: σφραγῖδα, sphragida) that secure the book or scroll that John of Patmos saw in an apocalyptic vision.
Revelation 7 is the seventh chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. The book is traditionally attributed to John the Apostle, [1] [2] but the precise identity of the author remains a point of academic debate. [3] Chapter 6 to Chapter 8:5 record the opening of the Seven Seals. [4]
The Book of Revelation or Book of the Apocalypse is the final book of the New Testament (and therefore the final book of the Christian Bible). Written in Koine Greek, its title is derived from the first word of the text: apokalypsis, meaning 'unveiling' or 'revelation'.
The Book with Seven Seals (Das Buch mit sieben Siegeln) is an oratorio in German by the Austrian composer Franz Schmidt, on themes from the biblical Book of Revelation of Saint John. It was completed in 1937 and first presented in 1938 in Vienna.
These seals secured the apocalyptic document held in the right hand of Him who sits on the throne. [1] The trumpets are referred to in Koine Greek as σάλπιγξ (sálpinx, salpinx ); this was a straight, narrow bronze tube with a mouthpiece of bone and a bell; they do not closely resemble modern valve trumpets.
He applied recapitulation, identifying the seven "seals" with the seven "trumpets" and seven "bowls". According to him, the Apocalypse describes six periods of the church's struggles. The seventh period was to be the earthly Millennium, which would begin in 1260 (the number 1260 comes from Apocalypse 11:3, where it mentions 1,260 days).
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Revelation 6 tells of a book or scroll in God's right hand that is sealed with seven seals. The Lamb of God/Lion of Judah opens the first four of the seven seals, which summons four beings that ride out on white, red, black, and pale horses. All of the horsemen save for Death are portrayed as being human in appearance.