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  2. Impressionism - Wikipedia

    en.wikipedia.org/wiki/Impressionism

    Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.

  3. Category:Impressionist paintings - Wikipedia

    en.wikipedia.org/wiki/Category:Impressionist...

    Paintings of the Impressionist style. Subcategories. This category has the following 13 subcategories, out of 13 total. B. Paintings by Frédéric Bazille (13 P) ...

  4. Camille Pissarro - Wikipedia

    en.wikipedia.org/wiki/Camille_Pissarro

    Joachim Pissarro states that Pissarro thereby became the "only artist who went from Impressionism to Neo-Impressionism". In 1884, art dealer Theo van Gogh asked Pissarro if he would take in his older brother, Vincent, as a boarder in his home. Lucien Pissarro wrote that his father was impressed by Van Gogh's work and had "foreseen the power of ...

  5. Category:Impressionist painters - Wikipedia

    en.wikipedia.org/.../Category:Impressionist_painters

    American Impressionist painters (4 C, 224 P) Australian Impressionist painters (1 C, 8 P) Austrian Impressionist painters (3 P) B. Belgian Impressionist painters (14 P)

  6. Claude Monet - Wikipedia

    en.wikipedia.org/wiki/Claude_Monet

    Oscar-Claude Monet (UK: / ˈ m ɒ n eɪ /, US: / m oʊ ˈ n eɪ, m ə ˈ-/; French: [klod mɔnɛ]; 14 November 1840 – 5 December 1926) was a French painter and founder of Impressionism painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. [1]

  7. First Impressionist Exhibition - Wikipedia

    en.wikipedia.org/wiki/First_Impressionist_Exhibition

    The First Impressionist Exhibition was an art exhibition held by the Société anonyme des artistes peintres, sculpteurs, graveurs, etc., [a] a group of nineteenth-century artists who had been rejected by the official Paris Salon and pursued their own venue to exhibit their artworks.