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A prototype for five-channel surround sound, then dubbed "quintaphonic sound", was used in the 1975 film Tommy. [6]5.1 dates back to 1976, [7] when Dolby Labs modified the track usage of the six analogue magnetic soundtracks on Todd-AO 70 mm film prints.
7.1 channel surround is another setup, most commonly used in large cinemas, that is compatible with 5.1 surround, though it is not stated in the ITU standards. 7.1 channel surround adds two additional channels, center-left (CL) and center-right (CR) to the 5.1 surround setup, with the speakers situated 15 degrees off center from the listener. [24]
When Dolby AC-4 was tested by the DVB the Multiple Stimuli with Hidden Reference and Anchor test (MUSHRA) score was 90 at 192 kbit/s for 5.1 channel audio. [1] When tested for ATSC 3.0 the bit rates needed for the required audio score was 96 kbit/s for stereo audio, 192 kbit/s for 5.1 channel audio, and 288 kbit/s for 7.1.4 channel audio. [1]
Auro 11.1 is a channel-based system and thus differs in capability compared to competing formats such as Dolby Atmos and DTS:X. The height layer allows for placement of background reflections and reverberations observed in nature as well as allowing for smooth panning from the base layer to the ceiling.
22.2 or Hamasaki 22.2 (named after Kimio Hamasaki, a senior research engineer at NHK Science & Technology Research Laboratories in Japan) is the surround sound component of Super Hi-Vision (a new television standard with 16 times the pixel resolution (7680×4320) of HDTV (1920x1080).
Wireless LAN (WLAN) channels are frequently accessed using IEEE 802.11 protocols. The 802.11 standard provides several radio frequency bands for use in Wi-Fi communications, each divided into a multitude of channels numbered at 5 MHz spacing (except in the 45/60 GHz band, where they are 0.54/1.08/2.16 GHz apart) between the centre frequency of the channel.
The company was founded in 2002 as V Inc. by entrepreneur William Wang and two founding employees. [5] [6] [7] By 2004, Wang changed the company name to Vizio.[8] [9]In 2006, the company's revenue was estimated at $700 million, and in 2007 it was estimated to have exceeded $2 billion. [10]
However, whereas a 5.1 surround sound system combines both surround and rear channel effects into two channels (commonly configured in home theatre set-ups as two rear surround speakers), a 7.1 surround system splits the surround and rear channel information into four distinct channels, in which sound effects are directed to left and right ...