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The design of the scallop shell back for chairs is associated with the designer Francis Cleyn who worked in England from the 1620s. [2] Settees were made at this time whose backs consisted of several just such immense scallops as those of these Holland House Gilt Chamber chairs; [ 3 ] and the same idea of decoration peeps out in fan-like frills ...
The passion for the oriental and exotic soon influenced the furniture. A new kind of seat, La Sultane was introduced, with two places; another type called the Ottomane, with the back in a form called en gondola, and arms which wrapped around the oval seat, and another variety, called la papose, without arms or a back; and finally Le Sofa, which ...
Traditional upholstery traces its roots back to ancient civilizations, where the need for comfort and functionality led to the creation of padded seating surfaces. From ancient Egypt to ancient Rome, early upholstery was primarily concerned with cushioning and supporting chairs, seats, and sofas.
A furniture set consisting of a sofa with two matching chairs [17] is known as a "chesterfield suite" [18] or "living-room suite". [19] In the UK, the word chesterfield was used to refer to any couch in the 1900s. A chesterfield now describes a deep buttoned sofa, usually made from leather, with arms and back of the same height.
Louis XVI furniture is characterized by elegance and neoclassicism, a return to ancient Greek and Roman models. Much of it was designed and made for Queen Marie Antoinette for the new apartments she created in the Palace of Versailles , Palace of Fontainebleau , the Tuileries Palace , and other royal residences.
Japanning, a technique of varnishing which was very popular at the time, was also used on this furniture design. [5] For chairs, woven cane seats [6] and heavily-scrolled backs predominated. [3] Toward the end of the style, cane-woven seats and backs had given way to leather, and straight or slightly angled backs had given way to serpentine ...
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